La Femme return to their first love, New Wave, from “Psycho Tropical Berlin” (Machine), which they combine with an Anglo-Saxon rock sound from the 80s/90s (Rock). The album is a tribute to rock, its effectiveness and timelessness.  

After “Psycho Tropical Berlin”, “Mystères” and “Paradigmes”, the band founded by Marlon Magnée and Sacha Got returns with “Rock Machine”, their first album written entirely in English. The new LP was composed over the last few years during various tours around the world and is heavily inspired by a series of performances in the USA. “Rock Machine”, equipped with a new electro-arena rock sound, is a cosmopolitan album ready to seduce an even wider international audience.

With “Rock Machine”, La Femme continues to develop an unconventional, multidimensional universe with its own sound and aesthetic. The first single, “Ciao Paris”, is a metaphorical farewell to France, with a nod to the YéYé pop of the 60s, peppered with electro-surf. With “Clover Paradise”, the band invites us onto a dark, hypnotic dancefloor. “Love Is Over” is a haunting new wave ballad reminiscent of the Madchester bands of the 90s that played at the Hacienda. “Venus” is an irresistible, intoxicating encounter between the Velvet Underground and The Mamas and the Papas. In addition to rock and synthwave sounds, there is also electro (Sweet Babe), disco in UK punk sauce (My Generation) and many other surprises.